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Les Franken (Michael Rapaport) is a kind-hearted and soft-spoken man who loves reading comic books. He s the type of guy who most people walk by on the street without even noticing. However, everything changes for Les the day he is accepted into an experimental drug study. As he begins to take the drugs, an unexpected side effect occurs - he develops special powers. In an effort to use his new talents for protecting others, Les finds himself in a predicament to save himself.
2005, 830-1030pm, free admission
RUNTIME: 81 min |
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A decade after their last hilarious short, the Oscar-winning A Close Shave, Claymation wonders Wallace and Gromit return for a full-length adventure. Daffy scientist Wallace (voiced by Peter Sallis) and his heroic dog Gromit are doing well with their business, Anti-Pesto, a varmint-hunting outfit designed to keep their English town safe from rabbits chomping on prized vegetables. Wallace meets Lady Tottington (Helena Bonham Carter), who appreciates Wallace's humane way of dealing with rabbits (courtesy of the Bun-Vac 6000), and sets up a rivalry with the gun-toting Victor Quartermaine (Ralph Fiennes, enjoying himself more than ever). Creator Nick Park, with co-director/writer Steve Box, delivers a story worthy of the 85-minute running time, although it stretches the act a bit; the formula plays better shorter, but the literally hand-crafted film is a joy to watch. Taking a chapter from classic horror films, a giant were-rabbit is soon on the prowl, and the town is up in arms, what with the annual vegetable contest close at hand. (Anyone who's seen the previous three shorts knows who saves the day.) Never content to do something simply when the extravagant will do, W&G's lives are filled with whimsical Rude Goldberg-style devices, and the opening number showcasing their alarm system is pure Aardman Animation at its finest. Even though there's a new twist here--a few mild sight gags aimed at adults--this G-rated film will delight young and old alike as Park, like team Pixar, seems incapable of making anything but an outstanding film. --Doug Thomas
2005, 830-1030pm, free admission
RUNTIME: 85 min |
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Audrey Hepburn's last Oscar nomination was for this adaptation of Frederick Knott's famed stage thriller about a blind woman, a con man (Alan Arkin), and a doll full of heroin. Thanks to Hepburn's husband, a photographer who does a good deal of traveling, she's unknowingly come into possession of said doll, which was given to him on a plane by a comely young drug runner who winds up dead. The murderous Arkin, aided by sympathetic henchman Richard Crenna, will let nothing stand in the way of his obtaining it, even if it comes down to assaying multiple "personalities" in order to visit and terrorize Hepburn; Crenna is unwillingly enlisted to help. However, the "world's champion blind lady" (as Hepburn sardonically states) is more than up to the task of defending herself in her basement Manhattan apartment in a heart-stopping climax that to this day still defines the way horror movies with jack-in-the-box psychos are made. Despite the obvious staginess of it all (the entire action takes place in Hepburn's apartment), it still works magnificently, thanks to Hepburn's steely will and Arkin's deadly, sadistic madman. A helpful hint: turn out all the lights when you watch it; theaters back in 1967 did so, killing the guiding lights during the film's last 15 minutes. We can't tell you why, but trust us, it's worth it. --Mark Englehart
1967, 830-1030pm, free admission
RUNTIME: 108 min |
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Suitable for framing, Amir Bar-Lev's "family human interest story" indelibly captures the media maelstrom that engulfed the Olmsteads of Binghamton, N.Y. when their daughter, Marla, age 4, became the darling of the art world with her abstract paintings. As a gallery owner tells Bar-Lev, the situation is "perfect": The family is charismatic, and Marla is, indeed, "a doll" and her paintings, "unbelievable." More on that later. Bar-Lev chronicles how a community newspaper article about Marla was picked up by the New York Times, leading to more newspaper articles, sold out gallery showings, and media throngs. Marla's paintings sold upward of $25,000 (the owner of the Houston Rockets bought one), and talk-show hosts (Conan, Dave, Oprah) wanted Marla on their shows. "You're in for a wild ride, I hope you're prepared for this," the gallery owner says he told Mark Olmstead, Marla's father, a Frito Lay factory worker who also dabbles as an artist. But no one is prepared when Charlie Rose, during a 60 Minutes Wednesday broadcast, raises questions on whether Marla is the sole artist. Was she coached? Were the paintings doctored, or even painted by someone else? Could she even be called a prodigy? Bar-Lev's canvas expands to consider the nature of art and media culture. It also becomes something of a self-portrait as he struggles with his own growing suspicions about Marla's paintings after he has befriended the family and earned their trust. My Kid Could Paint That is not a masterpiece, but it will resonate especially for everyone who says they don't know art, but they know what they like. It would be an excellent companion to Who the #%&% is Jackson Pollock? --Donald Liebenson
2008, 830-1030pm, free admission
RUNTIME: 83 min |
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Critics and audiences didn't seem too happy with this inventive, perhaps too clever sequel to the popular 1985 comedy about a high school kid (Michael J. Fox) who travels into the past and has to bring his parents together (or lose his own existence). Director Robert Zemeckis and cast bent over backwards to add layers of time-travel complication to this follow-up, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Fox's character watching his own actions from the first film. --Tom Keogh
1989, 830-1030pm, free admission
RUNTIME: 108 min |
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Based on a 1938 Winifred Watson novel, Miss Pettigrew Lives for a Day is a colorful story about lives stalled in middle age but kick-started again by the follies of youthful lovers all around. Frances McDormand stars as Miss Pettigrew, whose inability to hold a job in London as a governess compromises her well-being shortly before England’s entry in World War II. Finessing her way into a position as social secretary to a young, American golddigger and singer named Delysia Lafosse (Amy Adams), the starving Miss Pettigrew finds herself at the center of a whirlwind that is her new employer’s life. Hemmed in by lovers and suitors--including a young, theatrical producer (Tom Payne) looking to cast one of his pleasing girlfriends in a plum role; a creepy nightclub owner (Mark Strong) in whose flat Delysia lives; and a pianist (Lee Pace) who genuinely loves her--Delysia needs a map to figure out how to navigate through life. Miss Pettigrew, who suffered a loss during WWI that she does not speak of, nudges the naïve songstress toward wise decisions. But she is at the mercy of Delysia’s formidable friend (Shirley Henderson), who knows the truth about her impoverished state and is engaged to a much older man (Ciarán Hinds). The latter, a fellow of substance who seems to be meandering through life, falls instantly for the soulful Miss Pettigrew. Full of Art Deco trappings and paced with a vintage, screwball comedy energy, Miss Pettigrew Lives for a Day is like watching a contemporary version of a Hollywood classic. --Tom Keogh
2008, 830-1030pm, free admission
RUNTIME: 92 min |
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Mike Deerfield returns to the U.S. after his tour of duty in Iraq and abruptly goes missing. His father Hank, a spit-and-polish ex-MP from the Vietnam era, goes looking for him. What he finds goes to the heart of American combat experiences in the Iraqi conflict. Academy Award winning Crash filmmaker Paul Haggis teams with Oscar winning actors Tommy Lee Jones, Charlize Theron and Susan Sarandon in a probing, powerful, fact-based look at fathers and sons…and at a nation and the young soldiers it sends into battle. Jones plays Hank, whose quest lays bare a tangled web of cover-up, murder, mystery and profound revelation about the personal costs of war.
2007, 830-1030pm, free admission
RUNTIME: 121 min |
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March 10